An astonishing clandestine retrospective exhibition developed by ANTHONY REYNOLDS GALLERY in collaboration with Boyarsky Murphy Architects. Since the late ’60s Toren has been addressing the ways in which representation can incorporate that which it represents. His is a unique practice subjecting the object to destruction or reduction, or extrapolating from its function and form, he extracts its physical matter to use as material for its own richer representation. In this simultaneous act of destruction and creation it is made clear that anything can serve a useful function in art.